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Porridge Radio frontwoman Dana Margolin sings as if her insides are aflame, delivering lines with nearly feral bravado. The music illustrates the Sisyphean task of feeling better: Each time it reaches some measure of calm, the noise comes roaring back. The result feels slightly apocalyptic, weirdly funny, and right on time. Not even in Michigan, the current rap capital of darkly funny shit talking, will you find anyone thinking more unholy thoughts than Packman. Sada Baby]. Steady yet anxious congas, a gentle flute, and bright keys meld into an affectingly soulful plea for a kinder world.

The song is a groggy anthem for those days when counting the spots on your ceiling can feel like too much work. The moody bassline delivers a melody to curl up in and brood, while the uptempo beat towards the end is a reminder that even loneliness ends.

The unrelenting drums are a perfect match for the field recordings of glacial melt that Owens sprinkles in for ambience and texture, her shuffling hi-hats pinging across the tundra. Thundercat has Dragon Ball Z tattoos all over his body. On the track, the L. The goal is out of sight, the means absurd. With the touring industry stalled in , it seemed like every rapper on Earth tried to make up for the loss with their very own digital deluxe reissue, padding out recent albums with extra tracks.

For the most part, though, quality lacked. Only one artist made his album better with its deluxe edition: Lil Baby, who added a number of great songs to My Turn. Baby plays the elder statesman on the quietly menacing track, rapping more ferociously than usual while letting Dugg take the lead.

Take chances, live life, and dance as much as possible. Earl Sweatshirt and Maxo have both made their homes in the rain-blurred realm where raps feel like unspoken thoughts, where beats resemble humming machinery a block away—a world of smudged loops, two or three notes long, punctured by diaristic jottings that flash like lightning.

In another year, its layered guitar work and massive drums would have prompted massive pits and reckless stage dives at outdoor music festivals. Hopefully, for Dogleg, that future involves kids doing literal backflips into much bigger crowds. All you can do is bask in the power of Flo Milli shit.

She has a rare ability to connect the fragmented images passing by the window to what she feels inside: She shows us funnel clouds dropping from the sky, a slaughterhouse, and a shopping mall, and turns each into a signpost for her own confusion.

As the song builds, despair is tempered by a burst of energy that hints at survival. Pop music loves to memorialize doomed romances and terrible exes; the genre offers considerably less for failed friendships. It serves as the grand finale to an especially intimate folk song, hinting at the virtuosic talent he often keeps behind the scenes.

Set to walls of guitar and synth hooks, his lyrics contain a nod to the music that inspired him as a Black teenager interested in punk and indie, and to the unfulfilling jobs he worked for years to pay the bills before quitting to focus on performing and producing.

Not any more than someone who manages to make jeans and a T-shirt look beautiful. And it only takes her a minute. One thing nine months more or less alone reveals is whom to miss and whom to let go. Always ahead of his time, Shamir wrote an anthem for figuring this out before lockdown; lucky for us, he released it just as the loneliness really set in.

In a year defined by dancing on your own, Shamir made it sound like self-actualization. The real magic is the winking humility of the image in the mirror: a woman criticized endlessly for being too rich and too gauche who knows that living well is still the best revenge.

So too will she. Like a gentle river, time passing slowly is better than it not passing at all. Lil Uzi Vert just beamed down in a pair of Balenciaga jeans that cost more than your biweekly paycheck before taxes , and he is ready to rap. But time and time again, his efforts to rendezvous with his digital paramour are interrupted by real-life obstacles, from locked hotel rooms to the awkwardness of online intimacy.

Over beachy guitar riffs and bouncy hand claps, singer-bassist Emily Kempf expresses a desire to detach herself from the limitations of relationships, painting separation as a bittersweet opportunity for growth. The difference between independence and loneliness, Dehd suggest, is your relationship with yourself. Even this stylish opportunist has still got some charisma left.

Lil Durk]. You might consider this as kind of like one of those pop-punk covers of turn-of-the-millennium hits gone spectacularly right. But as the barbed guitar riffs and methodical bass plucks give way to a chorus made for a hot-pink dressing room montage scene played at 1. Tamara Lindeman sketches out a villain—the titular thief, silent and cool—before lifting the veil on larger forces at work: laws, banks, a rotten system that forces people to act in their own self-interest.

By the time "Robber" reaches its urgent climax, Lindeman has transformed a personal reckoning with societal failures into a reflective prompt for the listener. Can you blame yourself for ruthlessness if you were never given a choice? While she luxuriates in the heady, horny stuff of the verses—of perfect symmetry and blown candles—the beat throbs with lockstep control, less feeling love than meaning business. Bounding along atop a turbo-charged filter-house template, the song gleefully reanimates the ghosts of French touch and harkens back to the days when house producers regularly and rightfully landed in the Top Jazmine Sullivan has a gift for eulogizing relationships that are beyond saving, and even beyond possibility.

The vocal melody encompasses a range you could find under one hand on the piano, just a few notes, while her fingerpicking works its familiar, comforting magic. There were so very few reasons to break out in ecstatic dance this year, but Jayda G offered a sublime exception. Dry, papery beats, synchronized claps, and muffled chit-chat lend the atmosphere of a packed, pulsing nightclub—and the molasses-slow breakdown offers one of the best beat-drop payoffs of the year.

After months of inertia, Jayda G brought the dancefloor to us. Some might find it crass to describe death in the same words as a wiped hard drive, but, well, this is still Grimes. It opens with percussion that sounds like a rapping at the door, a wake-up call. After a raft of heavy breaths, barking dogs, and a pounding-heart bassline that convey the frazzled yet determined energy of finding your footing, the song ends with a twinkling flourish of keys—a playful ta-da underscoring the realization that a broken lock is just the beginning.

Their rich, fluttering harmonies pirouette over trap snares, finger snaps, and wobbling bass, all the while painting a portrait of a perfectly unbothered night out with friends. Meghan Remy wears the perfectionist swagger of American pop like a disguise. Her stylistic shifts might seem willfully evasive, but as she puts it on "4 American Dollars," "It's not personal, it's business. Girls, which revels in the sounds of hard-fought freedom—gospel, blues, Springsteen—utilizing their easy familiarity as a Trojan horse for materialist critique.

Inverting a quote from Martin Luther King Jr. Listen: U. If asked to pinpoint the primary emotional experience of quarantine, you might go with listlessness, or fatigue. But neither quite nails it. Sophia Allison of Soccer Mommy nailed our constant recursion, atrophy, isolation, gall, and grief back in the early spring. Then it floats back down and alights on these days , the great borderless period of time in which we find ourselves. Following detours into Tony Bennett-style crooning , lightly country-fried rock , and Oscar-winning melodrama , Lady Gaga made her ferocious return to the club with the all-bangers-no-ballads Chromatica.

No tears left to cry? It begins like a faithful car being jump-started to make the last leg of a long trip; a spark of life followed by relief. But it also wears a graceful disguise. On her debut album Stranger in the Alps, Phoebe Bridgers stopped analyzing her dreams. When you are swallowed into the pitch black of your misery, who do you reach for? Eventually, he emerges from the wreckage into a clearing, holding still in the soft glow of the final minutes. The most pristine love, he suggests, is found as a whisper back in the dead of the night.

That means fully inhabiting their newfound rock star persona and doing away with the thin line between art and artifice. This is a love song at its core but, facing down the barrel of this year, its sense of longing resonates further than that. His American tale is one of distraction, humor, and endless curiosity.

The meaning of it all is right there in plain sight. With the energy of an intuitive DJ mix, producers Tainy and DJ Orma pieced together a whirlwind of a track as evocative for longtime fans of the genre as it is educational for newcomers.

Standing confidently at the center of the saga is Bad Bunny himself. In their verses on the remix, Meg and Bey owned their sex appeal, their smarts, and their success, inviting you to own yours, too. In the months that followed, Megan would go from joyously dancing to the track in her kitchen , to performing it on an elaborate dystopian stage in the desert , to making a heart-wrenching political statement with it at 30 Rock.

On Fetch the Bolt Cutters , Fiona Apple skewers romantic orthodoxy with such flair that you might wonder why anyone ever bothers with it to begin with. In the chorus, anxiety stirs and a half bar sinkholes like a lost summer; in the lyrics, Apple is radically direct, like the master painter whose final act is to draw a simple straight line. She has forged through lust, betrayal, and heartbreak to reach this beginning—to ask, in the plainest terms, to be loved.

In the song, she conjures the emotion with gravitas and synth-pop charm. Backed by sauntering keys and quivering strings, Letissier sings in her native French about teenage loneliness and angst. On the chorus, she pleads for presence and permanence. The lines are delivered with a confessional vulnerability, as ghostly vocals echo her own in support. MC Hammer feat. Gucci Mane. Aston Martin Music feat.

Raphael Saadiq. Pray For Us. Diced Pineapples feat. Ten Jesus Pieces feat. Triple Beam Dreams feat. Rich Forever feat. Cover Album. Mastermind Deluxe Edition Rich Is Gangsta. Mafia Music III feat. War Ready feat.

Blessing In Disguise feat. Paradise Lost. Headache feat. French Montana. Cover Deluxe. Black Market Deluxe Edition Can't Say No feat. Mariah Carey. Peace Sign. Very Best feat. Rather You Than Me Apple Of My Eye feat. I Think She Like Me feat. Powers That Be feat. Game Ain't Based On Sympathy. Triple Platinum feat. Maybach Music V feat. DeJ Loaf. Get That Bread feat. Street Love feat.

Simple And Plain. Dear Lord feat. Been Bonus Jiggolo Track. Collaboration Albums. Finer Things feat. Masspike Miles. Chick'n Talk'n feat. Don't Let Me Go feat. Play Your Part feat. Nipsey Hussle. I Be Puttin' On feat. Black Grammys feat. Know You Better feat. Say Don't Go. What Ya Used To feat. Poor Decisions feat. Lupe Fiasco. Bout That Life feat. God Is Great. My Man.

Blowin' Money Fast B. Styles P. Money Maker. Gotti Family feat. Yo Gotti. Willie Falcon's Theme. Candyman's Theme. Covertible Bert's Theme. John Doe's Theme. Boobie Boy'z Theme pt. John Doe. Black Man's Dream Feat.

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