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It is a brilliant piece of cinema and has the power, poetry and rawness of early Herzog. I have to see more by him! It marvellously compounds reality with the strange and mysterious with some dramatic cinematography and an intricate sound design for the duration of its length. Nianankoro's shaman father experiences a revelation where he sees his son causing his demise, and after coming to realise that his father has decided to kill him, Nianankoro treks to his uncle to petition assistance.
It's very much a film from Mali with all the cultural unfamiliarity which that encompasses. More, please. This is a beautifully shot myth on cinema, the creation story for a people that are going to have to deal with a lot of unfairness, but ultimately persevere-it encompasses pointless tragedy and things going wrong, but also a sense that the universe will guide you through, that there are allies in nature, and that those who exploit the world around them for their own egos and kill albinos can't escape their fate, while those who accept their fate will create a lasting legacy.
It also does that thing I love in Fantasy where the plot gets rolling because of one of those ironic prophecies that's sparked by the villain? Ever wonder what a fantasy film or fairy-tale movie would look like with a budget of approximately seventeen dollars?
Look no further! I can't think of many movies that take folk magic at face value or treat it as seriously as this one does. Barravento and Cabeza De Vaca may be the only ones I've seen. From all the weird stuff that have come out of Africa's local cinema, this definitely tries its best to not be complete thrash.
The plot seems to be something Jodorowsky will likely write, very surreal and fantastic yet with a rather questionable effects that makes everything unintentionally funny at times. All in all, if you are ever going to watch a cinema from the very specific continent of Africa, you know, not the South or those Egypt and Arabic regions, I guess this would be a good place to start. Myth revisited by filmm image. Very directed but with strong troubling undercurrent animated the images as Cisse direction remains commited to drama while commenting on it.
Amazing colors and landscape wotk. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. How did you buy your ticket? View All Photos 9. Movie Info. In the 13th century, Niankoro Issiaka Kane is born to the shaman Soma Niamanto Sanogo , who fears his offspring's magical powers.
Niankoro flees with his mother Soumba Traore and masters his skills while staying ahead of his father's attempts to track him down. Setting off on a journey to ask his uncle, Djigui Diarra Ismaila Sarr , for advice, Niankoro uses his abilities to help tribal king Rouma Boll Balla Moussa Keita defeat a neighboring tribe, thereby earning the king's friendship. Oct 8, original. Jun 11, Cinecom Pictures. Issiaka Kane Niankoro, le fils.
Niamanto Sanogo Soma le pere, Djigui the twin. Aoua Sangare Attou, la jeune femme Peul. Soumba Traore Mah, la mere. Ismaila Sarr Bofing, l'oncle. Koke Sangare Le chef de Komo. View All Critic Reviews Nov 21, Yeelen is a magical tale full of the rich history of Mali brought very effectively to life given the inevitably small budget.
It is the earliest film that I have seen for the region and was inevitably the inspiration for other film makers from Northwest Africa. John B Super Reviewer. May 12, But now he is quickly closing in. Niankoro, now a young man, is like his father, a wizard. Partially out of desperation, his mother formulates a plan where her and her son are to split up. While she petitions help from higher powers, she gives him a fetish and glass pyramid to give to his uncle, so he can reconcile father and son.
Soma perhaps rightfully fears his son becoming more powerful than him and taking his place, and seeks to stop his ascension. In the meantime, Niankoro has power but not quite the knowledge of the world to go along with it. Walter M Super Reviewer. Apr 16, Apparently, I'm one of the few people out there who will take no brownie points regarding a film's quality because of the trials and tribulations associated with it's making.
I don't care if it took 20 years and 13 failed marriages and even a trip to Hell and back to make - if the film sucks, then it sucks. Plain and simple. Yeelen is a film that obviously took some effort and some love to make - the filmmakers had almost no money, really; all they had was a pocketful of dreams. Too bad they didn't have a half-way decent screenplay to go with it.
Just because a movie comes from an impoverished nation, made by impoverished people about impoverished people, doesn't mean it's automatically good. Pi was made on a shoestring budget - and Aronofsky made a masterpiece. Yeelen, however, is possibly the single most annoying and irritating movie I've ever endured. There is one scene that lasts an excuriating 15 minutes where all the people do is say the same basic things over and over again, smoking pipes, waving tails around, and sing in the single most obnoxious, wailing "voice" I've ever heard.
This movie is supposed to be a fairy tale type thing - hero goes on journey, falls in love, defeats evil, etc. But how did they manage to make that so unbearably boring and pointless? Some scenes are inexplicable - why is there one shot of a man with a donkey head laughing? Some are morbidly disturbing - a topless scene of the single most old, withered, and ugly woman I've ever seen definately counts as such. And some scenes are hilariously bad, contrived, and horribly written, acted, and directed - actually, what am I saying - that wasn't just one scene, that was the whole movie.
Clearly, the director has no idea how to shoot a film - the hero first showing off his mystical powers was shot so ineptly that it took us about half an hour afterwards to realize he'd done anything at all. And the "final confrontation" is hilarious - the whole movie's been building to a fight between these two, so what happens is they put some poles down, they stare at each other for endless minutes , light comes from the poles, they fall to their knees blinded - end of scene.
That was the final fight. Both are dead now. And blessedly, the movie is close to ending. Honestly - if i was given a choice between death or enduring Yeelen again, I would rather take my shot at seeing Heaven. See all Audience reviews. Best Horror Movies. RT Podcasts. Most Anticipated Movies. Best Netflix Series. Go back. More trailers. The Bear: Season 1. Wellington Paranormal: Season 3. Chloe: Season 1.
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Djigui the twin : [subtitled version] But last night I saw a bright light cross the sky and stop before me.
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How did you buy your ticket? View All Photos 9. Movie Info. In the 13th century, Niankoro Issiaka Kane is born to the shaman Soma Niamanto Sanogo , who fears his offspring's magical powers. Niankoro flees with his mother Soumba Traore and masters his skills while staying ahead of his father's attempts to track him down. Setting off on a journey to ask his uncle, Djigui Diarra Ismaila Sarr , for advice, Niankoro uses his abilities to help tribal king Rouma Boll Balla Moussa Keita defeat a neighboring tribe, thereby earning the king's friendship.
Oct 8, original. Jun 11, Cinecom Pictures. Issiaka Kane Niankoro, le fils. Niamanto Sanogo Soma le pere, Djigui the twin. Aoua Sangare Attou, la jeune femme Peul. Soumba Traore Mah, la mere. Ismaila Sarr Bofing, l'oncle. Koke Sangare Le chef de Komo. View All Critic Reviews Nov 21, Sign In. The Torrent Original title: Le torrent. Play trailer Drama Family History. Director Simon Lavoie. Top credits Director Simon Lavoie. See more at IMDbPro. Trailer Le Torrent.
Photos 7. Top cast Edit. Laurence Leboeuf Amica as Amica …. Dominique Quesnel Claudine as Claudine. Marco Bacon Colporteur as Colporteur. Roger Blay Clochard as Clochard. Normand Canac-Marquis Proviseur as Proviseur. Aubert Pallascio Vieil instituteur as Vieil instituteur. Alain Gabriel Surveillant as Surveillant. Mario Genest Maquignon as Maquignon. Manon Payeur Femme protectrice as Femme protectrice.
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